General theoretical approaches Un mélange genevois: Tacit notions of iconicity in Ferdinand De Saussure’s Writings in General Linguistics Jui-Pi Chien How to put art and brain together Mark Changizi Image, diagram, and metaphor: Unmined resource and unresolved questions Vincent Colapietro Words in the mirror: Analysing the sensorimotor interface between phonetics and semantics in Italian Luca Nobile Imagic iconicity in the Chinese language Zhuanglin Hu HerlofskyĮzra Pound among the Mawu: Ideophones and iconicity in Siwu Mark DingemanseĬognitive iconic grounding of reduplication in language Olga Fischer Word forms, word formation, and meaning Toward a phonosemantic definition of iconic words Kimi Akita Iconic thinking and the contact-induced transfer of linguistic material: The case of Japanese, signed Japanese, and Japan sign language William J. Table of contents Introduction Pascal Michelucci
No part of this book may be reproduced in any form, by print, photoprint, microfilm, or any other means, without written permission from the publisher. Includes bibliographical references and index. 10) Papers given at the Seventh International Symposium on Iconicity in Language and Literature, hosted by Victoria University in the University of Toronto (Canada) and held on the Victoria College campus, 9-13 June, 2009. (Iconicity in Language and Literature, issn 1873-5037 v. Library of Congress Cataloging-in-Publication Data Symposium on Iconicity in Language and Literature (7th : 2009 : Victoria University (Toronto, Canada)) Semblance and signification / edited by Pascal Michelucci, Olga Fischer, Christina Ljungberg. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences – Permanence of Paper for Printed Library Materials, ansi z39.48-1984. John Benjamins Publishing Company Amsterdamâ Volume 10 Semblance and Signification Edited by Pascal Michelucci, Olga Fischer and Christina Ljungberg For an overview of all books published in this series, please see The focus of the series is on the discovery of iconicity in all circumstances in which language is created, ranging from language acquisition, the development of Pidgins and Creoles, processes of language change, to translation and the more literary uses of language. form miming meaning and/or form miming form, is an inherently interdisciplinary phenomenon, involving linguistic and textual aspects and linking them to visual and acoustic features. Iconicity in Language and Literature A multidisciplinary book series which aims to provide evidence for the pervasive presence of iconicity as a cognitive process in all forms of verbal communication.
0 kommentar(er)
